Comparison of The Arrival of the Beebox and The Love Song of J Alfred Prufrock Essay

In Sylvia Plath’s â€Å"The Arrival of the Bee Box† and T. S. Eliot’s â€Å"The Love Song of J. Alfred Prufrock† the two speakers are troubled by incredible mental anguish brought about by their sentiment of irrelevance and frailty on the planet. The two of them fear and acknowledge the possibility of death, while recognizing life as its inverse. These are the different sides of the human experience. Through an inner monolog, Prufrock investigates his sentiment of pointlessness and removal in the public eye, while in â€Å"The Arrival of the Bee Box†, the speaker is worried about their frailty over their psyche, and approaching results. All through â€Å"The Arrival of the Bee Box†, the speaker is worried about their frailty to the clamors in their brain. The speaker will in general repudiate or contend with themselves as appeared by differentiating tone and supposition. While the speaker realizes that â€Å"(the box) is dangerous† they still â€Å"can’t avoid it†. The speaker wishes to â€Å"be sweet God†, yet denies wanting force by declaring that â€Å"I am not a Caesar†. This bi-polar conduct is likewise appeared by conflicting rhyming all through the sonnet. In the primary verse â€Å"lift† is rhymed with â€Å"midget† and â€Å"it†, yet in different refrains no rhyming is found by any stretch of the imagination. Conflictingly all through the sonnet, interior rhymes are found †â€Å"square as a chair†, â€Å"din in it†, â€Å"It is dim, dark† †which add to the staccato feel of the sonnet. The â€Å"din† of the ‘bees’ is underlined bountifully by utilizing consonance and sound to word imitation †â€Å"It is the clamor that dismays me a large portion of all. The muddled syllables† †that feature the genuine commotion and disarray in the speaker’s mind. The commotion of their psyche is featured by numerous illustrations that contrast the sound with â€Å"furious Latin†, a â€Å"Roman mob†, â€Å"angrily clambering†, â€Å"a box of maniacs† and â€Å"unintelligible syllables†. The tone of the finish of the piece appears to request help as the speaker poses numerous inquiries, for example, â€Å"how hungry they are?†, â€Å"if they would overlook me?†, â€Å"how would i be able to let them out?†, and â€Å"why should they turn on me?†. The speaker communicates a longing to be in charge, however acknowledges that they are inconsequential to the intensity of the commotio n in their psyche. In T. S. Eliot’s â€Å"The Love Song of J. Alfred Prufrock†, Prufrock is worried about his feeling of his inconsequentiality and relocation in the public arena. Eliot utilizes illustrations †â€Å"measured out my existence with espresso spoons†, â€Å"When I am stuck and wriggling on the wall† †to show that Prufrock looks at life to espresso and feels like a bug on a divider. Contrastingly, Plath utilizes representations to underscore a definite sound, the commotion of the honey bees in the speaker’s mind. Eliot likewise utilizes considerably more similar sounding word usage than Plath in his sonnet †â€Å"Before the taking of a toast and tea†, â€Å"fix you in a detailed phrase†, â€Å"When I am stuck and wriggling on the wall† †while Plath almost didn't utilize any similar sounding word usage whatsoever separated from â€Å"black on black† maybe since her piece sounds increasingly like a story utiliz ing customary words when contrasted with Eliot. Both Eliot and Plath represent numerous items in their pieces. Plath portrays the honey bees as a â€Å"Roman mob† and Eliot looks at the yellow mist and smoke to a feline as it â€Å"licks its tongue†, â€Å"leap(s)†, â€Å"rubs its muzzle† and â€Å"curled†¦ and fell asleep†. An exceptional scholarly gadget that Eliot utilizes is anaphora †â€Å"To have†¦ To have†¦ To roll†¦ To say†¦Ã¢â‚¬  †which in this occurrence depicts all the things that Prufrock could have done, yet never did. The focal interfacing trouble that the two speakers are tormented with is a frailty to their Sword of Damocles; the honey bees governing the speaker’s weak psyche and Prufrock’s sentiment of estrangement and futility in reality.